Public image

Hamasaki's influence goes beyond music; she is often considered a fashion icon and trend-setter, a status attributed to her tight control over her image. Besides her frequent appearances in fashion magazines, such as Vivi, Popteen, and Cawaii, Hamasaki has often been lauded for her trendy choices in apparels and accessories; Oricon has repeatedly named her the "Most Fashionable Female Artist". Many aspects of Japan's fashions—including clothing, hair, nails, and accessories—have in some way been influenced by her. As with her music, trends Hamasaki started have spread to Asian countries as Taiwan, China, and Singapore. Among the trends Hamasaki has started are hime-kei (a look inspired by the fashions of 18th century French aristocracy) and chapatsu; she has also heavily influenced the kogal subculture. Hamasaki's constantly changing image is apparent not only in her fashion photo shoots and commercial endorsements but also in her record covers, an element she considers essential in conveying her message.She has portrayed herself as a vine-clad "peace muse" or "Greek goddess" (on her album I Am...), as a "twenty-first-century Joan of Arc" (for her single "Free & Easy"), and as a "funky Lolita". Though Hamasaki has portrayed herself in earlier releases as a "girl next door", she has adopted a more sexualized image since the release of Loveppears. The covers for records including Loveppears, I Am..., and Rainbow feature Hamasaki in states of partial nudity, for which she has generated controversy.Hamasaki also garnered criticism after she modeled bra for lingerie manufacturer Wacoal, though most of the criticism alleged that Hamasaki was only trying to "play catch-up" with Kumi Koda, who gained popularity for her overtly sexual image.

Hamasaki has been sought by numerous brands to endorse their products. Throughout her career under Avex, she has promoted products that ranged from electronics (Tu-Ka cell phones and Panasonic) to various snack foods. Among the products she has advertised on television are the Honda Crea scooter, Kosé cosmetics, Mister Donut donuts, and Boss coffee. As well as serving as background music for television advertisements, some of Hamasaki's songs have been used as themes for video games, television shows and motion pictures, such as Onimusha: Dawn of Dreams, InuYasha, and Shinobi: Heart Under Blade. Although Hamasaki initially supported the exploitation of her popularity for commercial purposes, saying that it was "necessary that [she is] viewed as a product", she eventually opposed Avex's decision to market her as a "product rather than a person".

Musical style

Hamasaki's lyrics, all her own, have resonated among her fans, who praise them as being honest and heartfelt and "expressing determination"; in two surveys conducted by Oricon, respondents voted Hamasaki's lyrics as their favorite aspect of her artistry. Steve McClure of The Japan Times noted that Hamasaki has "developed a reputation as a thoughtful, introspective lyricist"; Barry Walters of The Village Voice comments that Hamasaki's lyrics "pack unlikely insights." Because she has "trouble voicing her thoughts", Hamasaki uses her lyrics as an outlet; she draws inspiration from her own (and occasionally her friends') experiences and emotions and tries to put them "honestly into words". She has stated that honesty is essential to her lyrics, saying, "If I write when I'm low, it will be a dark song, but I don't care. I want to be honest with myself at all times." Because of this, she did not use English lyrics until her album Rainbow, as she had felt that she could best express herself in Japanese. As with her musical style, the themes of her lyrics have varied. Her debut album A Song for ×× dealt mostly with themes of "loneliness and confusion", as did her second album Loveppears. Duty likewise expressed feelings of disappointment and confusion. Hamasaki began to take on a more global outlook with her following albums I Am... and Rainbow, branching out to wider themes such as faith and peace. As Hamasaki matured, her lyrics began to express more confidence; themes in her later albums included love and the struggles of women. In addition to personal experiences and feelings, Hamasaki bases lyrics on sources such as historical events. The life of Joan of Arc was the inspiration for "Free & Easy", while a story told to her by her friend about a saint named Mary served as the basis for "M"; the September 11 attacks inspired "A Song Is Born".
In addition to writing her own lyrics, Hamasaki has also involved herself in other aspects of production such as artistic direction. Though Max Matsuura is officially credited as the producer of her records, he said of Hamasaki, "Ayu is a very meticulous worker behind the scenes. A lot of the work she does by herself is more in the producer's arena. I think really we should say 'Produced by [A]yumi [H]amasaki'." Until her single "M", however, Hamasaki left the task of composing to her staff; as she has explained, "I'm not a professional; I lack even basic knowledge about writing music." However, she started to compose her own melodies after her staff had failed to compose a tune for "M" that appealed to her.Wanting to produce works faithful to her visions, Hamasaki took control of most aspects of her artistry. I Am... is representative of this stage in Hamasaki's career; she directed the production of its songs, videos, and artwork. She began to compose less after I Am...: whereas nearly all of I Am... was her work, only nine of Rainbow's fifteen tracks were composed by her. She was even less involved in the composition of subsequent albums, composing two tracks on Memorial Address, three on My Story, and one on (Miss)understood; since Secret, none of the songs on her studio albums have listed her as a composer. With later albums, Hamasaki also began to delegate to her staff tasks she had once handled herself. Hamasaki cites Madonna, soul musicians Babyface and En Vogue, and rock bands Led Zeppelin and Deep Purple as her influences and states that she admires Michelle Branch, Kid Rock, Joan Osborne, Seiko Matsuda, Rie Miyazawa, and Keiko Yamada; these diverse influences have led to the variety of her own music. Hamasaki began commissioning remixes of her songs early in her career, and this practice also influenced the diversity of her music. Found on many of her records, these remixes span different genres of electronic dance music including Eurobeat, house, and trance, as well as acoustic genres such as classical and traditional Chinese music. She has employed Western as well as Japanese musicians; among those she has worked with are Above & Beyond, the Lamoureux Orchestra of France,[fn 14] and traditional Chinese music ensemble Princess China Music Orchestra.Hamasaki has released more than a hundred original songs; through them, she has covered a wide range of musical styles, such as dance, metal, R&B, progressive rock, pop, and classical She uses different instruments and techniques including piano, orchestra, gospel choirs, guitars, traditional Japanese strings, music boxes, and effects such as yells, claps, and scratching.

Hamasaki is often involved in the artistic direction of her music videos. They are often artistic productions through which Hamasaki tries to convey the meaning or feeling of their respective songs. The themes of the videos are varied; she has made "sad and fragile" or "emotional" videos ("Momentum", "Endless Sorrow"), "refreshing" summer videos ("Blue Bird", "Fairyland"), surreal or "scary" videos ("1 Love", "Marionette"), and humorous videos ("Evolution", "Angel's Song", "Beautiful Fighters"). Additionally, many of the videos contain short storylines, some of which use symbolism to convey their respective messages. The video of "Voyage" depicts Hamasaki as a woman in a mental hospital whose previous incarnation was a woman in feudal Japan who was sacrificed to the moon; the video of "Endless Sorrow" features a young boy living in a society where speaking is forbidden by law. In the video for "Free & Easy", Hamasaki portrayed a "twenty-first-century Joan of Arc" to convey her message "freedom cannot be easily obtained; there is a price to pay for it" and to express her opposition to her marrying at the time; the video for "Ourselves" featured masked people destroying "effigies of [Hamasaki's] past" such as photographs and album covers to symbolize destruction and rebirth. Additionally, the videos of "Fairyland", "My Name's Women", and "Jewel" are among the top twenty or so most expensive music videos, making Hamasaki the only non-American artist to hold such a distinction. Hamasaki is also involved in the production and artistic direction of her live performances; they, like her videos, are often lavish productions and use a variety of props, extravagant costumes, and choreographed dances. She has used large video screens, fireworks, simulated rain drops, trick stage floors, and suspended devices.

Image and artistry

Time magazine has noted that Hamasaki lacked talents such as the dance moves of Namie Amuro, the "supermodel allure" of Hitomi, and the "vocal pyrotechnics" of Hikaru Utada. Her own fans even considered her high-pitched voice screechy. However, her music is sometimes considered one of the major forces in shaping Japan's current music trends; this has been attributed to her constantly changing image as well as her self-penned lyrics, though critics credit clever marketing strategies; because of the widespread influence of her music and her constantly-changing image Hamasaki has often been compared to Madonna.[93][94] Hamasaki's lyrics and image have gained a following predominantly among the Generation X of Asia, mainly because of the "conflicting or inharmonious beauty" of her fashion and lyrics; Hamasaki's fashions combine Eastern and Western elements, and her songs, unlike those of many of her contemporaries, all have English titles but contained no English lyrics (until Rainbow). The popularity of her music extends beyond Japan; she has a "sizable [following] across Asia" and is one of the few Japanese singers whose albums have sold over 10,000 copies in Singapore. In 2002, however, Hamasaki's domestic sales began declining due to a sluggish Japanese market and increasing piracy in Japan. As a result, she began moving toward the Asian market in 2002, performing at the 2002 MTV Asia awards in Singapore, at South Korea's "Asia Song Festival", and at a concert in Beijing to celebrate Sino-Japanese relations.[99][100] With her popularity declining (due in part to the rising popularity of other singers like Kumi Koda), she made a foray into the Asian market, starting with her first tour of Asia in 2007.

Life and music career

Childhood and early endeavors
Born in Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother. Her father had left the family when she was three and never again came into contact with her. Because her mother worked to support the family, Hamasaki was primarily taken care of by her grandmother.

At age seven, Hamasaki began modeling for local institutions, such as banks, to supplement the family's income. She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency.Her modeling career did not last long; SOS eventually deemed her too short for a model and transferred her to Sun Music, a musicians' agency. Under the name of "Ayumi", Hamasaki released a rap album, Nothing from Nothing, on the Nippon Columbia label. She was dismissed from the label when the album failed to chart on the Oricon. After this failure, Hamasaki took up acting and starred in B-movies such as Ladys Ladys!! Soucho Saigo no Hi and television dramas such as Miseinen, which were poorly received by the public. Growing dissatisfied with her job, Hamasaki quit acting and moved in with her mother, who had recently moved to Tokyo.

Hamasaki was initially a good student, earning good grades in junior high school. Eventually, she lost faith in the curriculum, thinking that the subjects taught were of no use to her. Her grades worsened as she refused to put her mind to her studies. While living in Tokyo, she attempted to further her studies at Horikoshi Gakuen, a high school for the arts, but dropped out in the first year. Because Hamasaki did not attend school or have a job, she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club.[10][11]

At Velfarre, she was introduced to her future producer, Max Matsuura, through a friend. After hearing Hamasaki sing karaoke, Matsuura offered her a recording deal, but Hamasaki suspected ulterior motives and turned the offer down. He persisted and succeeded in recruiting her for the Avex label in the following year. Hamasaki started vocal training, but skipped most of her classes after finding her instructors to be too rigid and the classes dull. When she confessed this to Matsuura, he sent her to New York to train her vocals under another method. During her foreign sojourn, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing. On her return to Japan, he suggested that she try writing her own lyrics.

1998–1999: Rising popularity
Hamasaki made her debut under Avex on April 8, 1998 with the single "Poker Face". It—and the following four singles—were not major hits. Hamasaki's debut album, A Song for ×× (1999), was likewise "unassuming": the tracks, composed by Yasuhiko Hoshino, Akio Togashi (of Da Pump), and Mitsuru Igarashi (of Every Little Thing), were "cautious" pop-rock songs. However, Hamasaki's lyrics, introspective observations about her feelings and experiences that focused on loneliness and individualism, resonated with the Japanese public The songs gained Hamasaki a growing following, and the release of the album was a success: it topped the Oricon charts for five weeks and sold over a million copies. For her achievements, she earned a Japan Gold Disc Award for "Best New Artist of the Year".

With Ayu-mi-x (March 1999), the first of a series of remix albums, Hamasaki began moving beyond the pop-rock of A Song for ×× and began to incorporate different styles including trance, dance, and orchestra. Hamasaki began to experiment with different musical styles in her singles as well, releasing dance tunes and ballads as well as remixes on the singles which spanned reggae and house. The singles were milestones: Hamasaki earned her first number-one single ("Love: Destiny") and first million-selling single ("A"). Her second studio album, Loveppears (November 1999), not only topped the Oricon charts, it sold nearly 3 million copies. The album also showcased a change in Hamasaki's lyrics. Though the lyrics of Loveppears still dealt with loneliness, many of them were written from a third-person perspective. In support of Loveppears, she held her first tour, Ayumi Hamasaki Concert Tour 2000 A.

2000–2002: Commercial peak
From April to June 2000, Hamasaki released the "Trilogy", a series of singles consisting of "Vogue", "Far Away", and "Seasons". The lyrics of these songs focused on hopelessness, a reflection of Hamasaki's disappointment that she had not expressed herself thoroughly in any of her previous lyrics and a sense of shame of her public image. Likewise, many of the songs she wrote for her subsequent studio album, Duty (September 2000), involved feelings of loneliness, chaos, confusion, and the burden of her responsibilities. She described her feelings after the writing as "unnatural" and "nervous". The musical style was darker as well; in contrast with Loveppears, Duty was a rock-influenced album with only one dance song, "Audience".Duty resonated with fans: the "Trilogy" were "hit singles" ("Seasons" was a million-seller), and the album became Hamasaki's best-selling studio album. At the end of 2000, Hamasaki held her first New Year countdown concert at the Yoyogi National Gymnasium.

In 2001, Avex forced Hamasaki to release her first compilation album, A Best, on March 28, putting the album in "competition" with Hikaru Utada's second studio album, Distance. The "competition" between the two singers (which both claimed was merely a creation of their record companies and the media) was supposedly the reason for the success of the albums; both sold over 5 million copies. In support of Duty and A Best, Hamasaki held a tour of Japan's domes, making her one of few "top-drawer" Japanese artists to hold a concert at the Tokyo Dome.

I Am... (January 2002) marked several milestones for Hamasaki. Hamasaki increased her control over her music by composing all of the songs on the album under the pseudonym "Crea", of which the 2000 single "M" was the first. "Connected" (November 2002) and "A Song Is Born" (December 2001) were the exceptions. I Am... also showed evolution in Hamasaki's lyrical style: it was a retreat from the themes of "loneliness and confusion" of some of her earlier songs. Moved by the September 11 attacks, Hamasaki revised her vision of I Am..., focusing on issues such as faith and world peace. "A Song Is Born", in particular, was directly influenced by the events The single, a duet with Keiko Yamada, was released as part of Avex's non-profit Song+Nation project, which raised money for charity She also dropped the planned cover and opted instead to be portrayed as a "peace muse", explaining,

I had a completely different idea for the cover at first. We'd already reserved the space, decided the hair and makeup and everything. But after the incident, as is typical of me, I suddenly changed my mind. I knew it wasn't the time for gaudiness, for elaborate sets and costumes. It sounds odd coming from me, but I realize what I say and how I look has a great impact

The outlook inspired by the September 11 attacks extended beyond I Am.... In 2002, Hamasaki held her first concert outside Japan, at the MTV Asia music awards ceremony in Singapore, a move interpreted as the beginning of a campaign prompted by a sluggish Japanese market. At the ceremony, she received the award for "Most Influential Japanese Singer in Asia" In support of I Am..., Hamasaki held two tours, Ayumi Hamasaki Arena Tour 2002 A and Ayumi Hamasaki Stadium Tour 2002 A. In November 2002, as "Ayu", she released her first European single, "Connected", a trance song from I Am... composed by DJ Ferry Corsten. It was released in Germany on the Drizzly label. Hamasaki continued to release singles (all of them remixes of previously released songs) in Germany on Drizzly until 2004.

In April 2002, Hamasaki released the single "Free & Easy". In collaboration with the magazine Free&Easy, Hamasaki also released Hamasaki Republic, a photobook that was actually a special issue of Free&Easy, in conjunction with the single. "H", Hamasaki's next single, became the best-selling single of 2002. Hamasaki released her last single of 2002, "Voyage", on September 26. In lieu of a regular-length music video, the short film Tsuki ni Shizumu, starring Hamasaki, was created for "Voyage" and was released at a select theater in Shibuya.[40] Hamasaki's next studio album, Rainbow (December 2002) was her first to use English lyrics. After performing at the 2002 MTV Asia music awards, Hamasaki felt that by writing only Japanese lyrics, she was not able to bring her "message" to other countries. Realizing that English was a "common global language", she included English lyrics in three songs. The album was stylistically diverse; Hamasaki included rock- and trip-hop-influenced tracks as well as "summery", "up-tempo" and "grand gothic" songs and experimented with new techniques such as gospel choruses and the yells of an audience. The lyrics were also varied: themes in the album included freedom, the struggles of women, and "a summer that ends in sadness"

2003–2006: Decline in sales
In 2003, Hamasaki released three singles, "&", "Forgiveness", and "No Way to Say". To celebrate the release of her thirtieth single ("Forgiveness"), Hamasaki held the A Museum concert at the Yoyogi National Gymnasium. Her mini-album Memorial Address (December 2003) was her first album to be released in CD+DVD format in addition to the regular CD-only format, a decision that came from her increased interest in the direction of her music videos.Like her previous albums, Memorial Address topped the Oricon chart and sold over a million copies. Sales of Hamasaki's singles began to wane. Although all three of the album's singles topped the Oricon charts, "&" was Hamasaki's last single to sell over 500,000 copies.

By the end of her Arena Tour 2003–2004, Hamasaki had grown dissatisfied with her position in Avex: she felt that the company was treating her as a product instead of a person. Along with her dissatisfaction over her last two studio albums (which she thought had been rushed), this led her to begin work on My Story (December 2004) early. In contrast with her previous albums, My Story had no set theme, nor did Hamasaki attempt to write "something good" or even "something that would give people hope"; rather, she simply wrote freely and honestly.As a result, the album contained mostly autobiographical lyrics about her emotions and reminiscences of her career. She approached the composition of the music with the same freedom per the lyrics. Because she liked rock music, the album had notable rock overtones. She was so pleased with the result that she declared My Story the first album she felt satisfied with. My Story and its singles, "Moments", "Inspire", and "Carols", all topped the weekly Oricon charts; moreover, With sales of 1,131,776 units, My Story became Hamasaki's last million-selling studio album according to Oricon. From January to April 2005, Hamasaki held the nationwide My Story arena tour, her first album-based tour. Also in January, she began working with Lamoureux Orchestra to create My Story Classical, a classical version of My Story; the album served as an "alter-ego" of the mostly aggressive My Story. The orchestra also created a classical version of "A Song Is Born", which was included on My Story Classical and which Hamasaki performed at the opening of the Expo 2005.

(Miss)understood (January 2006), Hamasaki's seventh studio album, showed new musical directions. Wanting to sing a tune like those of the group Sweetbox, Hamasaki obtained the permission of Sweetbox composer Roberto "Geo" Rosan to use demo songs he had intended to use in Sweetbox's upcoming album. She edited the songs to fit her personal vision, rewriting the lyrics and rearranging some of the songs. The result was more musically diverse than the previous album; (Miss)understood included ballads, funk, dance-pop, R&B, and rock songs. All of (Miss)understood's singles reached the top of the Oricon; "Bold & Delicious" became Hamasaki's twenty-fifth number-one single, tying her with Seiko Matsuda for the record of most number-one singles by a solo female artist. Though (Miss)understood also reached the top of the charts, Oricon stated that it sold fewer than a million copies—Hamasaki's first studio album to do so.[58][fn 9][fn 8] In support of the album, Hamasaki held the (Miss)understood arena tour, which spanned three months with thirty concerts, from Saitama on March 11, 2006 to Yoyogi on June 11, 2006.

Hamasaki's first single of 2006, "Startin'", became Hamasaki's twenty-sixth number-one single, setting a new record for most number-one singles held by a solo female artist. The subsequent studio album, Secret, was released in November 2006. "Secrets" was, appropriately, the theme of the album; the album also explored strong female figures, love, and sadness; songs depicted the artist's struggles and were written to encourage females. Although Secret was originally intended to be a mini-album, Hamasaki "began brimming with things to say" while producing the album and wrote five more songs. The album consisted mostly of rock songs and ballads; to complement these, Hamasaki experimented with new vocal techniques. The album also topped the Oricon weekly charts, making Hamasaki the only artist to have eight consecutive number-one studio albums. Her sales, however, continued to decline: according to both Oricon and the RIAJ, Secret failed to sell a million copies.

2007–present: Market beyond Japan
On February 28, 2007, Hamasaki released A Best 2, a pair of compilation albums containing songs from I Am... to (Miss)understood. The two versions, White and Black, debuted at the first and second positions on the Oricon weekly charts, making Hamasaki the first female artist in thirty-six years to hold the top two positions on any Oricon album chart. At the end of 2007, the pair became Japan's fifth and seventh best-selling albums of the year respectively. In support of A Best 2 and Secret, Hamasaki held the four-month-long Tour of Secret from March to the end of June. It was her first international tour, and aside from Japan, she performed in Taipei, Shanghai, and Hong Kong. Her foreign fanbase highly anticipated the concerts, and tickets for the Taipei and Hong Kong performances sold out in less than three hours.

In July 2007, Hamasaki released her first single in over a year, "Glitter/Fated". A short film, Distance Love, was used as the music video for "Glitter" and "Fated". The film, shot in Hong Kong, co-starred Hong Kong actor Shawn Yue as Hamasaki's romantic interest. "Glitter/Fated" and the following single "Talkin' 2 Myself" reached the top of their respective charts, continuing Hamasaki's streak of number-one singles. In December, Hamasaki released her first digital-only single, "Together When...", which topped the RIAJ's monthly download chart. Unlike its predecessors, the writing of Hamasaki's ninth studio album, Guilty (January 2008), was not an emotional experience for her, nor did it have a set theme. However, she said later that the album's tracks appeared to tell a story. Most of the songs were dark; the album had a notable rock tinge. It contained some upbeat dance tracks and ballads, though the latter also had rock overtones. Guilty peaked at the number-two position on the weekly Oricon charts, making it Hamasaki's first studio album not to reach the top. Guilty was later released as a digital album in twenty-six countries outside Japan, nineteen of them Western nations. That, along with Hamasaki's decision to employ western DJs such as Armand van Helden for her 2008 remix albums Ayu-mi-x 6: Gold and Ayu-mi-x 6: Silver, has been interpreted as her first step into the global market.

In April 2008, to commemorate her tenth anniversary in Avex, Hamasaki released the single "Mirrorcle World"; it topped the Oricon, making Hamasaki the only female solo artist to have a number-one single every year for ten consecutive years. Hamasaki also held her second tour of Asia, Asia Tour 2008: 10th Anniversary, to celebrate her tenth anniversary. From April until June, she toured Japan, holding seventeen concerts. Taiwan, Hong Kong, and Shanghai were again the foreign stops after the domestic performances. On September 10, 2008, Hamasaki released A Complete: All Singles, a compilation album that includes the A-sides of all her singles along with previously unreleased footage from her A-nation concerts.

Hamasaki's next two singles, "Days/Green" (December 2008) and "Rule/Sparkle" (February 2009), continued Hamasaki's streak of number-one singles. "Rule" is used as the international theme song for the film Dragonball Evolution. The subsequent studio album, Next Level, was released on March 25, 2009 in several formats: CD, CD+DVD, 2CD+DVD and a two-gigabyte USB flash drive. Next Level reached the top of the Oricon charts, making Hamasaki the only artist to have a number-one album every year for eleven years in a row since her debut. However, the album was only certified double platinum, making it Hamasaki's lowest-selling studio album. On August 12, 2009, Hamasaki released her forty-sixth single, "Sunrise/Sunset (Love Is All)". "Sunrise (Love Is All)", one of the A-sides, is being used as the opening theme song for the Japanese television drama Dandy Daddy?. The single reached the top of the weekly charts, making it her twenty-first consecutive (thirty-third total) number-one single. "Sunrise/Sunset" is also her forty-fourth single to enter the Top 10, making Hamasaki the artist with the most Top 10 singles ever. Hamasaki's third single of the year, "You Were... / Ballad", was released on December 29, 2009. Hamasaki's eleventh studio album Rock 'n' Roll Circus was released on April 14, 2010. The album topped the charts, making Hamasaki the first female solo artist in twenty years to have ten number-one original studio albums.[89] Hamasaki also began expanding her online presence, setting up accounts on MySpace, Ustream, and Twitter.

Ayumi Hamasaki

Ayumi Hamasaki (born October 2, 1978) is a Japanese singer-songwriter and former actress. Also called Ayu by her fans, Hamasaki has been dubbed the "Empress of Pop" due to her popularity and widespread influence in Japan.Born and raised in Fukuoka, she moved to Tokyo at fourteen to pursue a career in entertainment. In 1998, under the tutelage of Avex CEO Max Matsuura, she released a string of modestly selling singles that concluded with her 1999 debut album A Song for XX. The album debuted atop the Oricon charts and stayed there for four weeks, establishing her popularity in Japan.

Because of her constantly changing image and tight control over her artistry, Hamasaki's popularity extends across Asia; music and fashion trends she has started have spread to countries such as China, Singapore, and Taiwan. She has appeared in or lent her songs to many advertisements and television commercials. Though she originally supported the exploitation of her popularity for commercial purposes, she later reconsidered and eventually opposed her status as an Avex "product".

Since her 1998 debut with the single "Poker Face" Hamasaki has sold over 50 million records in Japan, ranking her among the best-selling singers in the country. As a female singer, Hamasaki holds several domestic records for her singles, such as the most number-one hits, the highest sales, and the most million-sellers. From 1999 to 2009, Hamasaki had at least one single each year top the charts.Hamasaki is the first female singer to have eight studio albums since her debut to top the Oricon and the first artist to have a number-one album for 11 consecutive years since her debut.

Nickelback - Criticism

Nickelback is one of the most criticized bands in popular music. At various points in their career, Nickelback has received widespread negative reviews from various sources. Review aggregator Metacritic reports that three of their six most recent studio albums since becoming a mainstream act, The Long Road, All the Right Reasons and Dark Horse, have scores of 62%, 41% and 49% respectively.

They have, at times, been ridiculed for their lack of originality. In 2001, Rolling Stone criticised the band's musical style, saying, "If you're looking for originality, you might want a full refund instead of a Nickelback." Rolling Stone also said their 2003 release, The Long Road, was "[b]razenly consistent, if unimaginative", while Allmusic also stated, "Nickelback can now afford a little more time in the studio and a little more time to indulge themselves, and they turn out the same record, only slicker, which only highlights just how oppressively and needlessly sullen this group is." Harmonix, developer of the video game Rock Band, gave its Rock Band Network the internal codename "Rock Band: Nickelback", "on the theory that the name of the quintessentially generic modern rock group would be enough to deflect all curiosity" according to The New York Times.

In 2005, Rolling Stone said "All the Right Reasons is so depressing, you're almost glad Kurt [Cobain]'s not around to hear it."[19] Tiny Mix Tapes also expressed concern over the release; "Like all Nickelback releases before it, All The Right Reasons was made for all the wrong ones and follows all the formulas and clichés you should be bored to death of by now." Stephen Thomas Erlewine of Allmusic reviewed Dark Horse, claiming that "Nickelback are a gnarled, vulgar band reveling in their ignorance of the very notion of taste, lacking either the smarts or savvy to wallow in bad taste so they just get ugly, knocking out knuckle-dragging riffs that seem rarefied in comparison to their thick, boneheaded words."

In 2007, USA Today reported that "few bands inspire such intense hatred as Nickelback."The article questioned whether Nickelback's commercial success made "critics wrong", and published several statements from various sources within the music industry. Nathan Brackett, a senior editor at Rolling Stone said, "There are some bands that, let's face it, are critic-proof." Both Brackett and Craig Marks, editor in chief of Blender, credit a lot of the band's success to young people who are introduced to them on the radio and "very casual music fans who don't buy a lot of CDs". Marks complimented Nickelback's popularity despite the critical response, saying "it is a tribute to their success."

Despite a barrage of criticism, Nickelback has still managed to please some reviewers with each of their mainstream albums. Allmusic reviewer Liana Jones complimented Nickelback after their commercial breakthrough, Silver Side Up; "what gives the group an upper hand over its peers is intensity and raw passion... Nickelback ups the ante by offering realistic storytelling that listeners can relate to." Following their 2008 album, Dark Horse, ChartAttack credited the band's success to knowing their target audience: "Chad Kroeger is a genius because he knows exactly what people want and precisely how far he can go. He turned out an extremely racy album that's loaded with songs about gettin' drunk and doin' it all without breaking any taboos, and with enough love and moral authority to grease its passage into the mainstream. Rejoice, North America. This is your world."Billboard also praised the band: "The bulletproof Nickelback provides affordable fun that promises good returns in hard times."

In 2009, The Word magazine readers voted Nickelback "Worst Band In The World", receiving 19.8% of the vote.

In 2010, a Facebook group entitled "Can this pickle get more fans than Nickleback?" [sic] numbered slightly more than 1.4 million Facebook fans, succeeding in getting more fans on Facebook than the band's official group
Jam! Canoe columnist Darryl Sterdan named lead singer Chad Kroeger the second worst singer of all time saying: "Nickelback's frontman may not have invented that post-grunge moose-in-heat bellow he relies on, but nobody does it better than he does. And by better, I mean worse".

Nickelback - History

Early years: 1995–2000
Nickelback's first release was a seven-track EP called Hesher in 1996. In the same year, Nickelback recorded their first full-length album Curb. "Fly" was included on both Hesher and Curb and was the first single produced by Nickelback. It did enter the charts and was only played on local radio stations.

The following album, The State, was recorded and released independently in 1998. Nickelback signed a record deal with EMI and Roadrunner Records, who re-released The State in 2000. Two singles from the album, "Leader of Men" and "Breathe" were fairly successful and resulted in the album being certificated gold in Canada and the United States. It was certified Platinum in 2008.

Mainstream success: 2001–2007
In 2001, Nickelback released the Silver Side Up album, which propelled them into the mainstream. The single "How You Remind Me" was a huge success, peaking at #1 on both the American and Canadian charts at the same time. In the U.S., it was a #1 single on the Mainstream and Modern rock charts, as well as the pop chart. It also peaked at #2 on Adult Top. "How You Remind Me" became the Billboard Hot 100 #1 single of the year for 2002. The next single was "Too Bad", which also reached #1 on the Mainstream Rock Chart and had a small amount of success on the pop chart. The final single from the album was "Never Again", another #1 hit on Mainstream Rock.

In 2002, Chad Kroeger collaborated with Josey Scott and Gaige Corvo who played the lead guitar on the Spider-Man theme song, "Hero". This also featured Tyler Connolly, Mike Kroeger, Matt Cameron, and Jeremy Taggart.

In 2003, Nickelback released The Long Road. The lead single was "Someday" and the album went on to sell five million copies worldwide.[citation needed] The band also released "Feelin' Way Too Damn Good" as a single, which peaked at #3 on the Mainstream Rock Charts. "Figured You Out" was also released as a single and topped the Mainstream Rock Charts for 13 consecutive weeks.

Nickelback's fifth studio album, All the Right Reasons, produced five U.S. Hot 100 top 20 singles: "Photograph", "Savin' Me", "Far Away", "If Everyone Cared" and "Rockstar". Three of these became U.S. Hot 100 top 10 singles. All the Right Reasons had sold 7,225,557 copies in the US to September 19, 2009. In total, All the Right Reasons has sold about 11 million copies worldwide since its 2005 release. Aside from all the success of All the Right Reasons, lead singer Kroeger began his own label named 604 Records in 2005 and holds the position of executive producer.

Latest releases: 2008–present
On September 4, 2008, Roadrunner Records announced that the first single from the upcoming album was going to be "If Today Was Your Last Day", to be released on September 30, 2008. However, the song was replace by "Gotta Be Somebody".[10] The new album, titled Dark Horse, was released on November 18, 2008. The album was produced by Mutt Lange, and was created entirely on digital audio workstations such as Pro Tools and FL Studio. "Something in Your Mouth" was released as the second single to rock radio only on December 15, where it reached #1. "If Today Was Your Last Day" was released as the second major single instead. Four more singles have been released, "I'd Come for You", "Burn It to the Ground" and "Never Gonna Be Alone" released in September and "Shakin' Hands" as the seventh single on November 16.

Nickelback

Nickelback is a Canadian post-grunge band from Hanna, Alberta, formed in 1995 by Chad Kroeger, Mike Kroeger, Ryan Peake and then-drummer Brandon Kroeger. Nickelback is one of the most commercially successful Canadian groups, having sold 30 million records worldwide. Nickelback ranks as the 11th best selling music act of the 2000s, and is the 2nd best selling foreign act in the US behind The Beatles for the 2000s.

The band is based in Vancouver, British Columbia, Canada. Its name originates from the nickel in change that band member Mike Kroeger gave customers at his Starbucks job; he would frequently say, "Here's your nickel back."

The band is signed to EMI in Canada and Roadrunner Records for the rest of the world. In July 2008, the band signed with Live Nation for three touring and album cycles, with an option for a fourth. The contract includes recordings, touring, merchandise and other rights.

Aborted - Band members

Current members

* Sven "Svencho" de Caluwé - lead vocals (1995–present)
* Eran Segal - guitar (2009–present)
* Ken Sorceron - guitar (2009–present)
* Cole Martinez - bass (2009–present)
* Dirk Verbeuren - drums, percussion (2003–2004, 2009–present)

Former members

* Sebastien "Seb Purulator" Tuvi - guitar, backing vocals (2006–2009)
* Peter Goemaere - guitar (2007–2009)
* Sven "Svenchi" Janssens - bass (2007–2009)
* Dan Wilding - drums, percussion (2007–2009)
* Matty Dupont - guitar (2006)
* Stephane Soutreyard - guitar (2005–2006)
* Bart Vergaert - guitar (2002–2005)
* Thijs De Cloedt - guitar (2000–2006)
* Christophe Herreman - guitar (1998–2000)
* Niek Verstraete - guitar (1997–2002)
* Olivia Scemama - bass (2006)
* Frederik Vanmassenhove - bass (2002–2006)
* Koen Verstraete - bass (1997–2002)
* Gilles Delecroix - drums, percussion (2004–2006)
* Frank Rousseau - drums, percussion (1998–2003)
* Steven Logie - drums, percussion (1997–1998)

Studio session & live members

* Ariën van Wesenbeek - live drums (2007)
* Étienne Gallo - live drums (2006)
* Dave Haley - studio drums for Slaughter & Apparatus: A Methodical Overture (2006)
* Matan Shmuely - live drums in Israel (2006)

Aborted

Aborted is a Belgian death metal band from Waregem, formed in 1995. Founded by vocalist Sven de Caluwé, Aborted released a demo tape and eventually were signed to Uxicon Records. Since then the band has released three splits (on Soulreaper Records, Bones Brigade, and Listenable Records, respectively), six full albums, an EP, and a DVD. Aborted are currently signed to Century Media.

Aborted have a dedicated fanbase organized under the collective name of the Aborted Army, who attend Aborted shows dressed in blood splattered surgical gear, inspired by the cover of the album Goremageddon: The Saw and the Carnage Done, which included a demented surgeon.

On December 1, 2009, frontman Sven de Caluwé has announced the band's new line-up, including his former Whorecore co-member Eran Segal on guitars, his System Divide co-member Cole Martinez on bass, Abigail Williams vocalist and guitarist Ken Sorceron and former collaborator Dirk Verbeuren on drums. The band released a new EP, the first with the new line-up, on January 14, 2010.

AC/DC - History

Background and name

Brothers Malcolm, Angus and George Young were born in Glasgow, Scotland, and moved to Sydney with most of their family in 1963. George was the first to learn to play the guitar. He became a member of the Easybeats, one of Australia's most successful bands of the 1960s. In 1966, they became the first local rock act to have an international hit, with the song "Friday on My Mind". Malcolm followed in George's footsteps by playing with a Newcastle, New South Wales, band called the Velvet Underground (not to be confused with the New York–based Velvet Underground)

Malcolm and Angus Young developed the idea for the band's name after their older sister, Margaret Young, saw the initials "AC/DC" on a sewing machine. "AC/DC" is an abbreviation for "alternating current/direct current". The brothers felt that this name symbolised the band's raw energy, power-driven performances, and a love for their music. "AC/DC" is pronounced one letter at a time, though the band is popularly known as "Acca Dacca" in Australia.
Early years (the Dave Evans era, 1973-1974)

In November 1973 Malcolm and Angus Young formed AC/DC and recruited bassist Larry Van Kriedt, vocalist Dave Evans, and Colin Burgess, ex-Masters Apprentices drummer. The band played their first gig at a club named Chequers in Sydney on New Year's Eve, 1973. They were later signed to the EMI-distributed Albert Productions label for Australia and New Zealand. The early line-up of the band changed often; Colin Burgess was the first member fired, and several bassists and drummers passed through the band during the next year.

By this time, Angus Young had adopted his characteristic school-uniform stage outfit. The idea was his sister Margaret's. Angus had tried other costumes, such as Spider-Man, Zorro, a gorilla, and a parody of Superman, named Super-Ang. In fact in its early days, most members of the band dressed in some form of glam or satin outfit but this approach was abandoned when it was discovered Melbourne band Skyhooks had already adopted this approach to their stage presentation.

The Young brothers decided that Evans was not a suitable frontman for the group, because they felt he was more of a glam rocker like Gary Glitter. On stage, Evans was occasionally replaced by the band's first manager, Dennis Laughlin, who was the original lead singer with Sherbet prior to Daryl Braithwaite joining the band. Evans did not get along with Laughlin, which also contributed to the band's ill feeling toward Evans.
The Bon Scott era (1974–80)

In September 1974 Ronald Belford "Bon" Scott, an experienced vocalist and friend of George Young, replaced Dave Evans. Like the Young brothers, Scott had been born in Scotland before emigrating to Australia in his childhood. The band had recorded only one single with Evans, "Can I Sit Next to You, Girl" / "Rockin' in the Parlour"; eventually, the song was re-recorded with Bon Scott as "Can I Sit Next to You Girl" (Track 7 on the Australian album T.N.T., and Track 6 on the international release of High Voltage).

By January 1975, the Australia-only album High Voltage had been recorded. It took only ten days and was based on instrumental songs written by the Young brothers, with lyrics added by Scott. Within a few months, the band's line-up had stabilised, featuring Scott, the Young brothers, bassist Mark Evans and drummer Phil Rudd. Later that year they released the single "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)", which became their perennial rock anthem. It was included on their second album, T.N.T., which was also released only in Australia and New Zealand. The album featured another classic song, "High Voltage".

Between 1974 and 1977, aided by regular appearances on Molly Meldrum's Countdown, the ABC’s nationally broadcast pop-music television show, AC/DC became one of the most popular and successful acts in Australia. Their performance on 3 April 1977 was their last live TV appearance for more than 20 years.
International success (1977–80)


In 1976, the band signed an international deal with Atlantic Records and toured extensively throughout Europe. They gained invaluable experience of the stadium circuit, supporting leading hard rock acts such as Black Sabbath, Aerosmith, Kiss, Styx and Blue Öyster Cult, and co-headlined with Cheap Trick.

The first AC/DC album to gain worldwide distribution was a 1976 compilation of tracks taken from the High Voltage and T.N.T. LPs. Also titled High Voltage, and released on the Atlantic Records label, the album sold three million copies worldwide,[25] partly because of its popularity with a British punk audience. The track selection was heavily weighted toward the more recent T.N.T., and included only two songs from their first LP. The band's next album, Dirty Deeds Done Dirt Cheap, was released in the same year in both Australian and international versions, like its predecessor. Track listings varied worldwide, and the international version of the album also featured "Rocker" from T.N.T. The original Australian version included "Jailbreak" (now more readily available on the 1984 compilation EP '74 Jailbreak or as a live version on the 1992 Live album). Dirty Deeds was not released in the US until 1981, by which time the band were at the peak of their popularity.

Following the 1977 recording Let There Be Rock, bassist Mark Evans was sacked because of personal differences with Angus Young. He was replaced by Cliff Williams, who also provided backing vocals alongside Malcolm Young. Neither of the Young brothers has elaborated on the departure of Evans, though Richard Griffiths, the CEO of Epic Records and a booking agent for AC/DC in the mid-1970s, later commented, "You knew Mark wasn't going to last, he was just too much of a nice guy."

AC/DC were a formative influence on New Wave of British Heavy Metal bands who emerged in the late 1970s, such as Saxon and Iron Maiden, in part as a reaction to the decline of traditional early 1970s heavy metal bands. In 2007, critics noted that AC/DC, along with Thin Lizzy, UFO, Scorpions and Judas Priest, were among "the second generation of rising stars ready to step into the breach as the old guard waned."

AC/DC's first American exposure was through the Michigan radio station AM 600 WTAC in 1977. The station's manager, Peter C. Cavanaugh, booked the band to play at Flint's Capitol Theater. The supporting act was MC5, who had just briefly reunited and agreed to play at the event. The band opened with their popular song "Live Wire" and closed with "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)".

AC/DC came to be identified with the punk rock movement by the British press. Their reputation, however, managed to survive the punk upheavals of the late 1970s, and they maintained a cult following in the UK throughout this time. Angus Young gained notoriety for mooning the audience during live performances.

The 1978 release of Powerage marked the debut of bassist Cliff Williams, and with its harder riffs, followed the blueprint set by Let There Be Rock.[29] Only one single was released for Powerage, "Rock 'n' Roll Damnation" and gave AC/DC the highest mark at the time, reaching #24. Eddie Van Halen notes this to be his favorite AC/DC record, along with Highway To Hell. An appearance at the Apollo Theatre in Glasgow during the Powerage tour was recorded and released as If You Want Blood You've Got It, featuring such songs as "Whole Lotta Rosie", "Problem Child", and "Let There Be Rock", as well as lesser-known album tracks like "Riff Raff". The album was the last produced by Harry Vanda and George Young with Bon Scott on vocals and is claimed to be AC/DC's most under-rated album.

The major breakthrough in the band's career came in their collaboration with producer "Mutt" Lange on a sixth album Highway to Hell, released in 1979. It became the first AC/DC LP to break into the US top 100, eventually reaching #17, and it propelled AC/DC into the top ranks of hard rock acts. Highway to Hell had lyrics that shifted away from flippant and comical toward more central rock themes, putting increased emphasis on backing vocals but still featured AC/DC's signature sound: loud, simple, pounding riffs and grooving backbeats. The final track, "Night Prowler", has two breaths in quick succession at the start of the song, intended to create a tone of fear and loathing.
Scott's death (1980)

---On 19 February 1980, Bon Scott passed out after a night of heavy drinking in London and was left in a car owned by an acquaintance named Alistair Kinnear. The following morning, Kinnear rushed him to King's College Hospital in Camberwell, where Scott was pronounced dead on arrival. Pulmonary aspiration of vomit was the cause of Scott's death, and the official cause was listed as "acute alcohol poisoning" and "death by misadventure". Scott's family buried him in Fremantle, Western Australia, the area to which they had emigrated when he was a boy.

Inconsistencies in the official accounts of Scott's death have been cited in conspiracy theories, which suggest that Scott died of a heroin overdose, or was killed by exhaust fumes redirected into the car, or that Kinnear did not exist. Additionally, Scott was asthmatic,[36] and the temperature was below freezing on the morning of his death.
The Brian Johnson era (1980–present)


Following Scott's death, the band briefly considered quitting; they eventually concluded, however, that Scott would have wanted AC/DC to continue, and various candidates were considered for his replacement, including Buzz Shearman, ex-Moxy member, who was not able to join because of voice problems, and ex-Back Street Crawler vocalist Terry Slesser, who turned down this opportunity when he decided not to join an established band and instead started a solo career. The remaining AC/DC members finally decided on ex-Geordie singer Brian Johnson.

Angus Young later recalled, "I remember Bon playing me Little Richard, and then telling me the story of when he saw Brian singing." He says about that night, "There's this guy up there screaming at the top of his lungs and then the next thing you know he hits the deck. He's on the floor, rolling around and screaming. I thought it was great, and then to top it off—you couldn't get a better encore—they came in and wheeled the guy off!" Later that night, Johnson would be diagnosed with appendicitis, which was the cause of his writhing around on stage.

For the audition, Johnson sang "Whole Lotta Rosie" from Let There Be Rock and Ike & Tina Turner's "Nutbush City Limits". He was hired a few days after the audition.

With Brian Johnson the band completed the songwriting that they had begun with Bon Scott for the album Back in Black. Recording took place at Compass Point Studios in the Bahamas a few months after Scott's death. Back in Black, produced by Mutt Lange and recorded by Tony Platt, became their biggest-selling album and a hard-rock landmark; hits include "Hells Bells", "You Shook Me All Night Long", and the title track. The album was certified platinum three months after its release, and by 2007 it had sold more than 22 million copies in the United States, making it the fourth-highest-selling album ever in the US. The album reached #1 in the UK and #4 in the US, where it spent 131 weeks on the Billboard 200 album chart.

The follow-up album, 1981's For Those About to Rock We Salute You, also sold well and was positively received by critics. The album featured two of the band's most popular singles: "Let's Get It Up" and the title track, "For Those About to Rock", which reached #13 and #15 in the UK, respectively. The band split with Lange for their self-produced 1983 album, Flick of the Switch, in an effort to recover the rawness and simplicity of their early albums.
Departur

Amid rumours of alcoholism and drug-induced paranoia, drummer Phil Rudd's friendship with Malcolm Young deteriorated and, after a long period of unfriendliness, the men's dislike for each other grew so strong that they fought. Rudd was fired two hours after the fight. Session drummer B.J. Wilson was drafted in to help complete the recordings, but his drum parts were eventually not used. Although Rudd had finished the drum tracks for their next album, he was replaced by Simon Wright in the summer of 1983 after the band held an anonymous audition.

Later in the year, AC/DC released the self-produced album Flick of the Switch, which was less successful than their previous albums, and was considered underdeveloped and unmemorable. One critic stated that the band "had made the same album nine times". AC/DC was voted the eighth-biggest disappointment of the year in the 1984 Kerrang! readers' poll. However, Flick of the Switch eventually reached #4 on the UK charts, and AC/DC had minor success with the singles "Nervous Shakedown" and "Flick of the Switch". Fly on the Wall, produced by the Young brothers in 1985, was also regarded as uninspired and directionless. A music concept video of the same name featured the band at a bar, playing five of the album's ten songs.

In 1986, the group returned to the charts with the made-for-radio "Who Made Who". The album Who Made Who was the soundtrack to Stephen King's film Maximum Overdrive, and is the closest the band has come to releasing a "greatest hits" collection, which AC/DC have always refused to do. It brought together older hits, such as "You Shook Me All Night Long" and "Ride On", with newer songs such as title track "Who Made Who", and two new instrumentals, "D.T." and "Chase the Ace".

In February 1988, AC/DC were inducted into the Australian Recording Industry Association's Hall of Fame.
Back to commercial success (1987–90)

AC/DC's 1988 album, Blow Up Your Video, was recorded at Studio Miraval in Le Val, France, and reunited the band with their original producers, Harry Vanda and George Young. The group recorded nineteen songs, choosing ten for the final release; though the album was later criticised for containing excessive "filler", it was a commercial success. Blow Up Your Video sold more copies than the previous two studio releases combined, reaching #2 on the UK charts—AC/DC's highest position since "Back in Black" in 1980. The album featured the UK top-twenty single "Heatseeker"[40] and popular songs such as "That's the Way I Wanna Rock and Roll". The Blow Up Your Video World Tour began in February 1988, in Perth, Australia. That April, following live appearances across Europe, Malcolm Young announced that he was taking time off from touring, principally to begin recovery from his alcoholism. Another member of the Young family, Stevie Young, temporarily took Malcolm's place.

Following the tour, Wright left the group to work on the upcoming Dio album Lock Up the Wolves, and was replaced by session veteran Chris Slade. Johnson was unavailable for several months while finalising his divorce, so the Young brothers wrote all the songs for the next album, a practice they continued for all subsequent releases through Black Ice in 2008.
Popularity regained (1990–94)

The new album, The Razors Edge, was recorded in Vancouver, Canada, and produced by Bruce Fairbairn, who had previously worked with Aerosmith and Bon Jovi. Released in 1990, it was a major comeback for the band, and included the hits "Thunderstruck" and "Are You Ready", which reached #5 and #16 respectively on Billboard's Mainstream Rock Tracks Chart, and "Moneytalks", which peaked at #23 on the Billboard Hot 100. The album went multi-platinum and reached the US top ten. Several shows on the Razors Edge tour were recorded for the 1992 live album, titled Live. Live was produced by Fairbairn, and is considered one of the best live albums of the 1990s. It was during this tour when AC/DC headlined the Monsters of Rock show, which was released on DVD as Live at Donington. A year later, AC/DC recorded "Big Gun" for the soundtrack of the Arnold Schwarzenegger movie Last Action Hero, and was released as a single, reaching #1 on the US Mainstream Rock chart, the band's first #1 single on that chart.
Popularity confirmed (1994–2008)

In 1994, Angus and Malcolm invited Rudd to several jam sessions. He was eventually rehired to replace Slade, whose amicable departure arose in part because of the band's strong desire to again work with Rudd. In 1995, with the 1980–83 line-up back together, the group released Ballbreaker, recorded at the Ocean Way Studios in Los Angeles, California, and produced by Rick Rubin. The first single from the album was "Hard as a Rock". Two more singles were released from the album: "Hail Caesar" and "Cover You in Oil".
In 1997, a box set named Bonfire was released. It contained four albums; a remastered version of Back in Black; Volts (a disc with alternate takes, outtakes, and stray live cuts) and two live albums, Live from the Atlantic Studios and Let There Be Rock: The Movie. Live from the Atlantic Studios was recorded on 7 December 1977 at the Atlantic Studios in New York. Let There Be Rock: The Movie was a double album recorded in 1979 at the Pavillon de Paris and was the soundtrack of a motion picture, AC/DC: Let There Be Rock. The US version of the box set included a colour booklet, a two-sided poster, a sticker, a temporary tattoo, a keychain bottle opener, and a guitar pick.

In 2000, the band released Stiff Upper Lip, produced by brother George Young at the Warehouse Studio, again in Vancouver. The album was better received by critics than Ballbreaker but was considered lacking in new ideas. The Australian release included a bonus disc with three promotional videos and several live performances recorded in Madrid, Spain in 1996. Stiff Upper Lip reached #1 in five countries, including Argentina and Germany; #2 in three countries, Spain, France and Switzerland; #3 in Australia; #5 in Canada and Portugal; and #7 in Norway, the US and Hungary. The first single, "Stiff Upper Lip", remained at #1 on the US Mainstream Rock charts for four weeks. The other singles released also did very well; "Satellite Blues" and "Safe in New York City" reached #7 and #31 on Billboard's Mainstream Rock Tracks, respectively.

In 2002, AC/DC signed a long-term, multi-album deal with Sony Music,[53] who went on to release a series of remastered albums as part of their AC/DC remasters series. Each release contained an expanded booklet featuring rare photographs, memorabilia, and notes. In 2003, the entire back-catalogue (except Ballbreaker and Stiff Upper Lip) was remastered and re-released. Ballbreaker was eventually re-released in October 2005; Stiff Upper Lip was later re-released in April 2007.

On 30 July 2003, the band performed with the Rolling Stones and Rush at Molson Canadian Rocks for Toronto. The concert, held before an audience of half a million, was intended to help the city overcome the negative publicity stemming from the effects of a 2003 SARS epidemic. The concert holds the record for the largest paid music event in North American history. The band came second in a list of Australia's highest-earning entertainers for 2005, and sixth for 2006, despite having neither toured since 2003 nor released an album since 2000. Verizon Wireless has gained the rights to release AC/DC's full albums and the entire Live at Donington concert to download in 2008.

On 16 October 2007, Columbia Records released a double and triple DVD titled Plug Me In. The set consists of five and seven hours of rare footage, and even a recording of AC/DC at a high school performing "School Days", "T.N.T.", "She's Got Balls", and "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)". As with Family Jewels, disc one contains rare shows of the band with Bon Scott, and disc two is about the Brian Johnson era. The collector's edition contains an extra DVD with 21 more rare performances of both Scott and Johnson and more interviews.

AC/DC made their video game debut on Rock Band 2, with "Let There Be Rock" included as a playable track. The setlist from their Live at Donington live album was released as playable songs for the Rock Band series by means of a Wal-Mart-exclusive retail disc titled AC/DC Live: Rock Band Track Pack.

No Bull: The Directors Cut, a newly edited, comprehensive Blu-Ray and DVD of the band's July 1996 Plaza De Toros de las Ventas concert in Madrid, Spain, was released on 9 September 2008.
Black Ice (2008–present)

On 18 August 2008, Columbia Records announced the 18 October Australian release, and 20 October worldwide release, of the studio album Black Ice. The 15-track album was the band's first studio release in eight years, and was produced by Brendan O'Brien. Like Stiff Upper Lip, it was recorded at The Warehouse Studio in Vancouver, British Columbia. Black Ice was sold in the US exclusively at Wal-Mart and Sam's Club and the band's official website

"Rock 'n' Roll Train", the album's first single, was released to radio on 28 August. On 15 August, AC/DC recorded a video for a song from the new album in London with a special selection of fans getting the chance to be in the video. Black Ice made history debuting at #1 on album charts in 29 countries and also has the distinction of being Columbia Records' biggest debut album (since Nielsen SoundScan began tracking sales data for Billboard in March 1991). Black Ice has been certified Multi Platinum in eight countries, including the US, Australia, Canada, Switzerland, Sweden, Norway, Germany and the Czech Republic. Additionally Black Ice has achieved Platinum status in twelve countries (Austria, Belgium, Denmark, Finland, France, Hungary, Ireland, Italy, UK, Argentina, Singapore and New Zealand) and Gold status in four countries (Netherland, Spain, Poland and Brazil). With over 6.5 million copies of Black Ice shipped worldwide, combined with over 5.5 million in catalog sold, AC/DC have surpassed The Beatles as the #1 selling catalog artist in the US for 2008. The 18-month Black Ice World Tour supporting the new album was announced on September 11 and began on 28 October in Wilkes-Barre, Pennsylvania. The band played 42 dates in North America, ending in Nashville, Tennessee on 31 January 2009. The Answer was the opening act during the North American portion of the tour.

On 15 September 2008, AC/DC Radio debuted on Sirius Channel 19 and XM channel 53. The channel plays AC/DC music along with interviews with the band members.

With the North American release of Black Ice on 20 October 2008, Columbia Records and Walmart created "Rock Again AC/DC Stores" to promote the album. In October 2008, MTV, Walmart, and Columbia created "AC/DC Rock Band Stores" in New York City, at Times Square, and in Los Angeles. "Black Ice" trucks were also dispatched on the streets of these two cities after the release, playing AC/DC music aloud and making various stops each day to sell merchandise

In late September 2009, the band rescheduled six shows when Brian Johnson underwent an operation for ulcers. On September 29, the band announced a collection of studio and live rarities, Backtracks, which was released on November 10, 2009 as a 3-CD/2-DVD/1-LP box-set.

On the 4th November AC/DC were announced as the Business Review Weekly top Australian earner (entertainment) for 2009 with earnings of $105 million. This displaced The Wiggles from the number one spot for the first time in four years.

On January 26, 2010, AC/DC announced on their official site the release of their new album AC/DC: Iron Man 2, the soundtrack for the upcoming film Iron Man 2.

AC/DC plans to give a concert for the celebration of 20th anniversary of German Reunification in Etzenricht, Bavaria, Germany.

On the 25th January 2010 it was announced that the band are to headline Download Festival at Donington Park, England in June 2010.
Recognition

AC/DC were inducted into the Rock and Roll Hall of Fame on March 10, 2003. During the ceremony the band performed "Highway to Hell" and "You Shook Me All Night Long", with guest vocals provided by host Steven Tyler of Aerosmith. He described the band's power chords as "the thunder from down under that gives you the second-most-powerful surge that can flow through your body." During the acceptance speech, Brian Johnson quoted their 1977 song "Let There Be Rock".

In May 2003, Malcolm Young accepted a Ted Albert Award for Outstanding Service to Australian Music at the 2003 Music Winners Awards, during which he paid special tribute to Bon Scott.

On 1 October 2004, a central Melbourne thoroughfare, Corporation Lane, was renamed ACDC Lane in honour of the band. However, the City of Melbourne forbade the use of the slash character in street names, so the four letters were combined. The lane is near Swanston Street where, on the back of a truck, the band recorded their video for the 1975 hit "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)". Additionally, a street in Leganés (Comunidad de Madrid – Spain), was named "Calle de AC/DC" on 2 March 2000.

Since Nielsen SoundScan began to track music sales in 1991, AC/DC have sold over $26.4? million worth of albums, making their sales figures second only to The Beatles, outselling both The Rolling Stones and The Who. Over the last five years, as CD sales have declined in general, AC/DC albums have sold just as well or better. They sold over 1.3 million CDs in the US during 2007 despite not having released a new album since 2001 at that point.

In 2009 the Recording Industry Association of America upgraded the group's US sales figures from 69 million to 71 million, making AC/DC the fifth-best-selling band in US history and the ninth-best-selling artist, selling more albums than Madonna, Mariah Carey and Michael Jackson. The RIAA also certified Back in Black as double Diamond (20 million) in US sales, and by 2007 the album had sold 22 million copies, which moved it into fifth place.

AC/DC

AC/DC are an Australian rock band formed in 1973 by brothers Malcolm and Angus Young. Although the band are commonly classified as hard rock and are considered a pioneer of heavy metal, they have always classified their music as rock and roll.

AC/DC underwent several line-up changes before releasing their first album, High Voltage, in 1975. Membership remained stable until bassist Mark Evans was replaced by Cliff Williams in 1977 for the album Powerage. The band recorded their highly successful album Highway to Hell in 1979. Lead singer and co-songwriter Bon Scott died on 19 February 1980, after a night of heavy alcohol consumption. The group briefly considered disbanding, but soon ex-Geordie singer Brian Johnson was selected to replace Scott. Later that year, the band released their best-selling album, Back in Black.

The band's next album, For Those About to Rock We Salute You, was their first album to reach number one in the United States. AC/DC declined in popularity soon after drummer Phil Rudd was fired in 1983 and was replaced by future Dio drummer Simon Wright, though the band resurged in the early 1990s with the release of The Razor's Edge. Phil Rudd returned in 1994 (after Chris Slade, whom was with the band from 1990–1994, was asked to leave in favour of him) and contributed to the band's 1995 album Ballbreaker. Stiff Upper Lip was released in 2000 and was well received by critics. Since then, the band has stayed the same with the 1980-1983 lineup. The band's most recent album, Black Ice, was released on 20 October 2008. It was their biggest hit on the charts since "For Those About to Rock, reaching #1 on all the charts eventually. AC/DC's newest studio album, AC/DC: Iron Man 2 is set to release on April 19, 2010.

As of 2008, AC/DC have sold more than 200 million albums worldwide, including 71 million albums in the United States. Back in Black has sold an estimated 45 million units worldwide, making it the highest-selling album by any band and the 2nd highest-selling album in history, behind Thriller by Michael Jackson. The album has sold 22 million in the US alone, where it is the fifth-highest-selling album. AC/DC ranked fourth on VH1's list of the "100 Greatest Artists of Hard Rock" and was named the seventh "Greatest Heavy Metal Band of All Time" by MTV. In 2004, the band was ranked number 72 in the Rolling Stone list of the "100 Greatest Artists of All Time".

Burzum - History

Early years (1991–1994)

From 1989, Vikernes had been playing in the short lived band Old Funeral which also consisted of members who would later form the band Immortal. He played guitar in the band until 1991 when he left to form his one man band, Burzum. Soon after recording two demo tapes, he became very involved with the Norwegian black metal scene, being both interested in its music and the ideology. With his demo tapes, he had attracted attention from Øystein Aarseth of Mayhem, who had just recently formed Deathlike Silence Productions. Aarseth then signed Burzum to the label, and shortly after, Burzum began to record for his self-titled debut album. According to Vikernes' autobiography on his website, he had intended to record the album in the worst recording quality possible (due to this being a typical trademark of the early Norwegian black metal scene), though still make it sound acceptable. Burzum's eponymous debut album was released in 1992, being the second album released on Deathlike Silence Productions. The song "War" from this album had a guest appearance from Euronymous of Mayhem, playing a guitar solo "just for fun", according to Vikernes.

Vikernes has stated that he had never played any live shows with Burzum, though at one point was interested in it so Samoth of Emperor joined the band as their bassist though only appeared on the Aske EP. Additionally, Erik Lancelot was hired to be the band's drummer, though did not record on any Burzum material, and along with Samoth did not play a live show. Vikernes had by then lost his interest in playing live concerts, and stated that he "didn't even need session musicians anymore". Therefore, Samoth and Lancelot had parted ways with Burzum. Burzum stayed as a solo project until 1994, when Vikernes was arrested for the murder of Euronymous and the burnings of several churches in Norway. Det som engang var was released as Burzum's second album in 1993, recorded in 1992.

Imprisonment (1994–2009)
Vikernes was in prison for the murder of Euronymous, former guitarist of Mayhem, as well as the arson of several churches in Norway. During his time in prison, Vikernes has recorded two albums in a dark ambient style. They were released as Dauði baldrs (1997) and Hliðskjálf (1999).

Post-imprisonment (2009–present)
Vikernes has already written eleven new tracks, nine metal tracks and an ambient intro and outro for an upcoming Burzum album, which he hopes to release around March or April 2010. Vikernes mentions that several record companies are interested in releasing his first album in eleven years. He has stated about the new album, "I want to take my time, and make it the way I want it. It will be metal, and the fans can expect genuine Burzum." The album was going to be originally titled "Den hvite guden" (The White God), but he later decided to change it to "Belus", which will be released by "Byelobog productions". It has been announced that a movie will be released in 2010, based on Varg Vikernes' life in the early 1990s. The movie is mainly drawing inspiration from the book "Lords of Chaos", with the film being of the same name. Vikernes expressed his deep contempt towards both the movie and the book it bases upon .

Burzum

Burzum is the musical project by Varg Vikernes (under the pseudonym "Count Grishnackh"). It began during 1991 in Bergen, Norway and quickly became prominent within the early Norwegian black metal scene. During 1992 and 1993, Burzum recorded four albums; however, in 1994 Vikernes was convicted and imprisoned for the murder of guitarist Øystein "Euronymous" Aarseth and the arson of several churches. While imprisoned, Vikernes recorded two albums in the dark ambient style.

Burzum - Musical style

Burzum's music features characteristics common in black metal, including distorted, tremolo-picked guitar riffs, harsh vocals, and the use of blast beat and double bass techniques in the drumming. All of the band's albums feature intentionally low production quality. The band's early music shows heavy Tolkien influence; for example, the name "Count Grishnackh" is taken from an orc character called Grishnákh in Tolkien's works. The choice of the name for the project reflects both this influence and the desire for anonymity: "Burzum" is a word of the Black Speech of Mordor meaning "darkness" (though Vikernes believes that Pagans consider it to mean "light" as opposed to how Christians consider it to mean "darkness"), and is one of those found on the Ring-inscription of the One Ring (the final part of the Ring inscription being "…agh Burzum-ishi krimpatul, or "…and in the darkness bind them"). Some of Burzum's early songs featured titles like "En ring til å herske" ("One Ring to Rule"); however, Vikernes later explained this to be a reference to the Rheingold of Norse mythology rather than to Tolkien's works, which themselves owe debt to Norse mythology. As he continued to release albums, Vikernes' attraction to Norse mythology and Pagan beliefs became more and more apparent. Much of Burzum's later music focuses on Norse legends, especially his most recent two ambient albums: Dauði baldrs deals exclusively with the legend of the death of Baldr and Hliðskjálf recounts the death of Wotan and the approach of Ragnarök.

Musically, Burzum has progressed from primitive, raw black metal to classical-influenced ambient music characterised by minimalist tendencies and dark atmospheres. Vikernes' music is characterised by hypnotic repetition and simple yet profound song structures; this trademark sound has been present on Burzum's black metal and electronic albums alike. Vikernes has described Burzum as a kind of "spell" or recreation of an imaginary world tied in with Pagan history.[citation needed] Each album, he claims, was designed as a kind of "spell" in itself, with each beginning song intending to make the listener more susceptible to "magick", the following songs to inspire a "trance-like state of mind", and the last song to carry the listener into a "world of fantasy" (dreams, for the listener would fall asleep—Burzum was supposed to have been evening music).[citation needed] Vikernes claims the intent to create this fantasy world came from dissatisfaction with the real world.[citation needed] He has stated the "message" of Burzum can be found in the lyrics of the first song of the first album ("Feeble Screams from Forests Unknown").

Avril Lavigne - The Best Damn Thing

Lavigne represented Canada at the closing ceremony of the 2006 Winter Olympics in Turin, Italy, performing her song "Who Knows" during the eight minutes of the Vancouver 2010 portion.

Lavigne promoting The Best Damn Thing in Hong Kong, 2007

While Lavigne was in the studio in 2006 for her third studio album, Fox Entertainment Group approached her to write a song for the soundtrack to the 2006 fantasy-adventure film Eragon. She wrote and recorded two "ballad-type" songs, one of which "Keep Holding On" ended up being used for the film. Lavigne admitted that writing the song was challenging, making sure it flows along with the film. She, however, noted that "Keep Holding On" was not indicative of what the next album would be. The song, which later appeared on the album, debuted on radio on November 20, 2006, and later released for digital download on November 28.

Lavigne's third album, The Best Damn Thing, was released on April 17, 2007. Lavigne undertook a small tour to promote the album. Its lead single, "Girlfriend", topped the Billboard Hot 100 the week The Best Damn Thing debuted at number one on the Billboard 200. "Girlfriend" was Lavigne's first single to have reached number one in Billboard,. The single was a worldwide hit: it also went to number one in Australia, Canada, Japan, and Italy and number two in the UK and France. The International Federation of the Phonographic Industry ranked "Girlfriend" as 2007's most-downloaded track worldwide, selling 7.3 million copies in eight different languages. In December 2007, Lavigne, with annual earnings of $12 million, was ranked number eight in the Forbes "Top 20 Earners Under 25". "When You're Gone", the second single, went to number three in the UK, the top five in Australia and Italy, the top ten in Canada and was very close to reaching the top twenty in the United States. "Hot" was the third single and has been Lavigne's least succcessful single in the U.S, charting only at number 95. In Canada it made the top ten, and in Australia the top 20. The album has sold 6 million copies worldwide.

During this era Lavigne won virtually every award she was nominated for, including two World Music Awards for "World's Best-Selling Canadian Artist" and "World's Best Pop/Rock Female Artist" , she took her first two MTV Europe Music Awards, received one Teen Choice Awards for "Summer Single" and got nominated for five Juno Awards.

In March 2008, Lavigne undertook a world tour named "The Best Damn Tour" to support the album. In mid-August 2008, Malaysia's Islamic opposition party, the Pan-Malaysian Islamic Party, attempted to ban Lavigne's show in Kuala Lumpur, judging her stage moves "too sexy". Her concert slated August 29 was deemed promoting wrong values ahead of Malaysia's independence day on August 31. On August 21, 2008, MTV reported that the concert had been approved by the Malaysian government.

The hits "Complicated" and "Girlfriend" also ranked the Hot 100 Singles of the decade at #83 and #94, respectively.

Avril Lavigne - Under My Skin

Lavigne in Vancouver, Canada during the "Live and by Surprise" mall tour

Lavigne co-wrote "Breakaway" with Matthew Gerard, and was recorded by Kelly Clarkson for the soundtrack to the 2004 film The Princess Diaries 2: Royal Engagement. "Breakaway" was later included on Clarkson's second album, Breakaway, and released as the album's lead single. She covered The Goo Goo Dolls' mega-hit "Iris", performed with the band's lead singer John Rzeznik at Fashion Rocks and posed for the cover of Maxim magazine in October 2004. She also recorded the theme song for The SpongeBob SquarePants Movie.

Lavigne's second studio album, Under My Skin, was released on May 25, 2004, debuting at number one in several countries, including Australia, Mexico, Canada, Japan, the United Kingdom, and the United States. The album has sold more than 10 million copies. Lavigne wrote most of the album's tracks with Canadian singer-songwriter Chantal Kreviazuk. Kreviazuk's husband, Our Lady Peace front man Raine Maida, co-produced the album with Butch Walker and Don Gilmore. Lavigne went on a "Live and by Surprise" twenty-one city mall-tour in the U.S. and Canada to promote the album, each performance consisted of a short live acoustic set of songs from the new album. She was accompanied by her guitarist, Evan Taubenfeld, by the end of 2004 and during a whole year in 2005 Lavigne embarked into her first world tour the "Bonez Tour" which visited almost every continent around the world.

"Don't Tell Me" the first single of the album went to number one in Argentina and Mexico, top five in the UK and Canada, and top ten in Australia and Brazil. "My Happy Ending", the album's lead single, went to number one in Mexico, top five in the UK and Australia, In the United States it reached the top ten of Billboard Hot 100 and went to #1 in the U.S. Mainstream Top 40, making it her fourth-biggest hit there. Third single "Nobody's Home" did not make the top 40 in the U.S., and it only went to number one in Mexico and Argentina. The fourth single from the album, "He Wasn't", reached top 40 positions in the UK and Australia, and was not released in the U.S. "Fall to Pieces" was released as the final single from the album, but did not do as well as previous singles.

Lavigne won two World Music Awards in 2004 for "World's Best Pop/Rock Artist" and "World's Best-Selling Canadian Artist". She received five Juno Award nominations in 2005, picking up three, including "Artist of the Year". She won the award for "Favorite Female Singer" at the eighteenth Annual Nickelodeon Kids' Choice Awards, and was nominated in every MTV Award show shown around the world.

Avril Lavigne - Let Go

Lavigne released her debut album, Let Go, on June 4, 2002 in the United States, where it reached number two. It peaked at number one in Australia, Canada, and the United Kingdom. This made Lavigne, at 17, the youngest female soloist to have a number-one album in the United Kingdom until that time. By the end of 2002, the album was certified four-times platinum by the RIAA, making her the best-selling female artist of 2002 and Let Go as the top-selling debut of the year. By May 2003, Let Go had accumulated over 1,000,000 sales in Canada, receiving a diamond certification from the Canadian Recording Industry Association. As of 2009, the album has sold over 16 million units worldwide. RIAA has certified the album six-times platinum, denoting shipments of over six million units in the US.

Lavigne's debut single and the album's lead single, "Complicated", went to number one in Australia and number two in the United States. "Complicated" was one of the best-selling Canadian singles of 2002. "Complicated" was also featured on the teen television show, Dawson's Creek. Subsequent singles "Sk8er Boi" and "I'm With You" reached the top ten in the United States. Thanks to the big success of her first three singles, Lavigne was the second artist in history to have three #1 songs from a debut album on the Billboard Mainstream Top 40. Lavigne was named Best New Artist at the 2002 MTV Video Music Awards, won four Juno Awards in 2003 out of six nominations, received a World Music Award for "World's Best-Selling Canadian Singer", and was nominated for eight Grammy Awards, including Best New Artist and Song of the Year for "Complicated" (2003) and "I'm With You" (2004).

In 2002, Lavigne made a cameo appearance in the music video to "Hundred Million" by the pop-punk band Treble Charger.

In March 2003, Lavigne posed for the cover of Rolling Stone magazine and, later in May, performed "Fuel" during MTV's Icon tribute to Metallica. Lavigne covered Green Day's "Basket Case" during her first headlining tour, the Try To Shut Me Up Tour.

Avril Lavigne - Music career

In November 2000, Lavigne was signed by Ken Krongard, an A&R representative to Arista Records, who invited the head of Arista, Antonio "L.A." Reid, to hear her sing at the Manhattan studio of producer Peter Zizzo. Signed as a singer, Lavigne was pitched with songs written by others. However, she dismissed them, insisting she wanted to write herself. For a year, Lavigne and Arista had conflicts in musical direction. She collaborated with the production team The Matrix, and the ensuing album became Let Go.

Avril Lavigne's music has evolved over her career. Her music has been described as rock, pop rock, alternative rock, pop, pop punk, alternative pop, post-grunge, and teen pop.

Lavigne's influences are varied, and include Courtney Love, Goo Goo Dolls, Green Day, and Janis Joplin.

Likewise, her music has inspired other musicians, most notably Tomoko Kawase, Hilary Duff, Brie Larson, Aly and Aj, Ashlee Simpson, Misono, Yui, Selena Gomez, Vanessa Hudgens, Ashley Tisdale, Jonas Brothers, Miley Cyrus, Charlotte Sometimes, Demi Lovato, David Archuleta, Lesley Roy,[citation needed] and Kimberly Cole.

Avril Lavigne - Early years

Avril Ramona Lavigne was born to Jean-Claude Lavigne, of French Canadian descent, and his Franco-Ontarian[citation needed] wife Judith-Rosanne "Judy" Loshaw, in Belleville, Ontario, Canada. Her father named her Avril after the month "April" in French. She has an older brother, Matthew, and a younger sister, Michelle. Lavigne's mother was the first to spot young Lavigne's talent. A daughter of a working-class Catholic family, Lavigne, at the age of two, began singing church songs along with her mother. The family moved to Napanee, Ontario, when Lavigne was five years old.

In 1998, Lavigne won a competition to sing with fellow Canadian singer Shania Twain on her first major concert tour. She appeared alongside Twain at her concert in Ottawa, appearing on stage to sing "What Made You Say That". She was discovered by her first professional manager, Cliff Fabri, while singing country covers at a Chapters bookstore in Kingston, Ontario. During a performance with the Lennox Community Theatre, Lavigne was spotted by local folk singer Steve Medd, who invited her to contribute vocals on his song, "Touch the Sky", for his 1999 album, Quinte Spirit. She later sang on "Temple of Life" and "Two Rivers" for his follow up 2000 album, My Window to You.

Avril Lavigne

Avril Ramona Lavigne (pronounced; born September 27, 1984) is a Canadian singer-songwriter, fashion designer, and occasional actress. Lavigne has sold more than 30 million copies of her albums worldwide.[unreliable source?] She is currently one of the top-selling artists releasing albums in the United States, with over 10 million copies certified by the Recording Industry Association of America. Billboard named Lavigne the #10 pop artist of the 2000s as well as the 28th overall best act of the decade based on album sales, chart success, and cultural relativity in the USA.

Lavigne broke into the recording industry with her debut album, Let Go, released in 2002. As of 2009, over 16 million copies were sold worldwide, more than 6 million of which were sold in the United States. Her second and third albums, Under My Skin and The Best Damn Thing, reached number one on the Global charts. Lavigne has scored five number-one singles worldwide, including "Complicated", "Sk8er Boi", "I'm With You", "My Happy Ending" and "Girlfriend". She is currently working on her fourth studio album, due in June 2010.

Because her songs cover a variety of styles of music, Lavigne is not easily defined by only a few genres. Her music has been described as rock, pop rock, alternative rock , pop, pop punk,[4][3] alternative pop, post-grunge, and teen pop.

Cradle Of Filth and FAB press are proud to announce a mail-order only hardback edition of 'The Gospel Of Filth'

Due to enormous demand, Cradle Of Filth and FAB press are proud to announce a mail-order only hardback edition of 'The Gospel Of Filth', a much larger limited run that will now serve as a stepping stone between the elitist Bible-style version, and the forthcoming, slimmer, bookstore paperback, in shops soon.

Vokillist and Gospel co-pilot Dani Filth had this to answer for on the subject...

'Such was the rush to obtain the extremely limited grimoire version of the book that many people went without, and at Christmas too! And as promised, this was a one-off strictly limited rare book print-run, never to be repeated again, so tough bloody luck.

However, the publishers suggested a more than modest alternative for those desperate to get their claws on this legendary tome, and thus the novel idea of a hardback (in delicate swathes of midnight blue nonetheless) was illicitly conceived. This features exactly the same written content as the Bible edition, minus the executive, decorative thrills, (i.e it still has my chapter!) and because of this less attention to detail, it is also far less expensive.'

Details on how to order this version and to view a huge slice of the content material are listed below.

In the meantime here are a few comments regarding the book Gavin, Fab Press and I have received to date...

"I got the tome of all tomes! no wonder it took such a long time to get it done, the amount of info is ridiculous, it'll probably take me the entire 2010 to get through it, a marvellous piece of work!!!! thank you so much!"


"Absolutely f**king amazing Mr Filth!"

"I would like to congratulate everyone who contributed to this fine piece of work, I have been following the production of the Gospel of Filth since it was announced many many months ago and am very proud to finally have the ultimate edition of this fabulous book. Superb job guys and I truly hope it was a rewarding project for yourself and everyone involved."


"Just received the Bible and I must say it is simply stunning! It is much more than I anticipated, the work invested in it is mind blowing and the quality of the binding is superb! It was totally worth the wait! Well done to both Dani and Gavin and all of you involved in this project".

"It's a gorgeous book, and it's as if Baddeley and Filth worked to capture the visual magic and spectacles you witness at a COF show and translate it to the pa

"A panoply of impressive accounts and interviews from celebrities, musicians, horror icons, and cultural authorities from all walks of life"

"[An] epic overview of macabre themes in art and entertainment"

"As intense a read to fans of Cradle as non-fans"

We hope you enjoy reading it too. Even with the hallway lights left on.

”Maailman Kauneimmat Joululaulut” album and exclusive single!

The ”Maailman Kauneimmat Joululaulut” album will be available exclusively in Finland on November 18th, 2009 via Universal Music.

The special edition single ”Maailman Kauneimmat Joululaulut”, featuring all 3 songs recorded by Tarja will be available for the world exclusively through the official webshop.
The songs included in the single are:
Maa On Nin Kaunis

Arkihuolesi Kaikki Heitä duet with Veeti Kallio
Heinillä Härkien

Endorsment

Management

Continental Concerts & Management GmbH
Schäferstrasse 33a
44147 Dortmund
Telefon: +49 231 8297500
Telefax: +49 231 8297501

mailto:carlos@continental-concerts.de
Internet: www.continental-concerts.de

Members

Discography

	Fate of Norns An Ancient Sign of Coming Storm Where Death Seems to Dwell Fate of Norns The Pursuit of Vikings Valkyries Ride The Beheading of a King Arson Once Sealed in Blood bonus DVD Disc (limited edition only) Amon Amarth live at Grand RokkReykjavik: Death in Fire The Last with Pagan Blood For the Stabwounds in our Backs Masters of War The Sound of Eight Hooves Bloodshed Versus the World Victorious March
	Versus The World Death In Fire 4.56 For The Stabwounds In Our Backs 4.57 Where Silent Gods Stand Guard 5.47 Versus The World 5.20 Across The Rainbow Bridge 4.49 Down The Slopes Of Death 4.08 Thousand Years Of Oppression 5.40 Bloodshed 5.15 And soon the world will cease to be 6.57 Recorded at Berno Studio Produced by Berno and Amon Amarth Cover by Tom Thiel and Thomas Everhard. Out November 18th in Europe. The US release is set to mid January 2003.
	The Crusher Bastards of a lying breed 5:33 Masters of war 4:33 The sound of eight hooves 4:50 Risen from the sea 2000 4:26 As long as the raven flies 4:03 A fury divine 6:35 Annihilation of hammerfest 5:02 The fall through Ginnungagap 5:21 Releasing Surtur’s fire 5:25 *The eyes of horror Recorded at Studio Abyss in November 2000. Engineered by Lars Szöke and Mixed by Peter Tätgren. Mastered at Cuttingroom by Peter In the Betou. Bonustrack "The eyes of horror" recorded at Das Boot studio. Cover by Tom Thiel and Thomas Everhard. Layout by Thomas Everhard.
	The Avenger Bleed for ancient god's 4:31 The last with pagan blood 5:39 North sea storm 4:55 Avenger 7:11 God, his son and holy whore 4:00 Metalwrath 3:49 Legend of a banished man 6:08 *Thor arise 5:07 Recorded at The Abyss studio, March 1999 Engineered and Mixed by Peter Tägtgren Mastered at Cuttingroom Stockholm by Peter In The Betou Cover and layout by Thomas Everhard
	Once sent from the golden hall Ride for vengeance 4:28 The Dragon's flight across the waves 4:33 Without fear 4:50 Victorious march 7:56 Friends of the suncross 4:42 Abandoned 6:00 Amon amarth 8:06 Once sent from the golden hall 4:11 Recorded at Abyss Studio autumn 1997 Engineered by Peter Tägtgren. Cover by Peter Kinmark.
	Sorrow throughout the nine worlds Sorrow throughout the nine worlds 3:51 The arrival of the fimbul winter 4:26 Burning creation 5:04 The mighty doors of the speargod's hall 5:43 Under the greyclouded sky 5:38 Recorded at Abyss Studio November 1995 Mixed and engineered by Peter Tägtgren. Cover by Amon Amarth, Layout by Honvie
	Burning creation The arrival of the fimbul winter Without fear Released in 1000 copies. Sold out. Recorded in studio Lagret 1994 Engineered by "Söder"