Image and artistry

Time magazine has noted that Hamasaki lacked talents such as the dance moves of Namie Amuro, the "supermodel allure" of Hitomi, and the "vocal pyrotechnics" of Hikaru Utada. Her own fans even considered her high-pitched voice screechy. However, her music is sometimes considered one of the major forces in shaping Japan's current music trends; this has been attributed to her constantly changing image as well as her self-penned lyrics, though critics credit clever marketing strategies; because of the widespread influence of her music and her constantly-changing image Hamasaki has often been compared to Madonna.[93][94] Hamasaki's lyrics and image have gained a following predominantly among the Generation X of Asia, mainly because of the "conflicting or inharmonious beauty" of her fashion and lyrics; Hamasaki's fashions combine Eastern and Western elements, and her songs, unlike those of many of her contemporaries, all have English titles but contained no English lyrics (until Rainbow). The popularity of her music extends beyond Japan; she has a "sizable [following] across Asia" and is one of the few Japanese singers whose albums have sold over 10,000 copies in Singapore. In 2002, however, Hamasaki's domestic sales began declining due to a sluggish Japanese market and increasing piracy in Japan. As a result, she began moving toward the Asian market in 2002, performing at the 2002 MTV Asia awards in Singapore, at South Korea's "Asia Song Festival", and at a concert in Beijing to celebrate Sino-Japanese relations.[99][100] With her popularity declining (due in part to the rising popularity of other singers like Kumi Koda), she made a foray into the Asian market, starting with her first tour of Asia in 2007.